It’s been a while since my last post… so much going on, it has left little time for reflection and communication. Anyway, to make amends, here is the story of the making of a new stitch-hacking piece.
Update: see images of the finished piece here
ATH + Jayfor is on display at an exhibition titled WOW: wonder of wool and the art of knit and stitch, at Rheged in Penrith until 15 April. Also on display is my Knitted Engine, and work by a stellar lineup of contributors, including Deirdre Nelson, Freddie Robins, Rachael Matthews, Annie Shaw, Celia Pym and many others. The exhibition is curated by Trevor Pitt of Pod Projects.
Here’s the blurb about the piece that I wrote for the exhibition:
Title: ATH + Jayfor
Materials: Found wool/nylon jumper, nylon yarn
Stitch-hacking involves the laddering and re-forming of stitches in existing knitted fabric. This technique has been developed by Amy and allows her to create structural patterns within found knitted garments. For this piece, she has taken the text from the label of an old jumper and transposed it to the body of the garment, ‘embossing’ it into the structure of the plain knitting. Amy has also recorded herself within the work, through the inclusion of swiss-darned text.
This work plays with questions of authorship and ownership. The original manufacturer made the stitches, and their information has been made dominant on the garment. However, Amy has physically made the piece her own through the attention and painstaking practical work of her intervention. Through pieces such as this, Amy wants to celebrate the craft of knitting in all its forms – industrial and domestic – and to encourage others to tinker with mass-produced objects, which we often see as ‘closed’.
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